These questions are ones most judges are likely to encounter.
Was the author's writing style enjoyable?
After reading this book, were you excited about this author and interested in finding other books by her or him?
Did you feel connected emotionally with the hero?
Did you feel emotionally connected with the heroine?
If the plot had secondary characters, did you enjoy them?
Did you like this book's setting?
Would you recommend this book to a friend/family member?
Were there errors or inaccuracies in the story that caught your attention?
If there was a villain, was he/she handled convincingly?
On a scale of 1-10 (poor to wonderful), give this book a rating
Were you anxious to get back to the book when you had to take breaks from reading?
Was the heroine's behavior consistent with her personality?
Was the hero's behavior consistent with his personality?
Specialized Contemporary Questions
Specialized Historical Questions
Were the behaviors of the characters apropriate to the story's time and place?
Did the story appear to be well-researched?
Were the historical elements woven into the story in a smooth, seamless way?
Specialized FF&P Questions
Was the world unique and/or interesting?
Was the author consistent in following the world's rules?
Were the paranormal elements believable?
Readers' Crown Contest Rules
Entry Qualifications and Rules for All Contestants The contest is open to all romance authors published by a non-vanity, non-subsidy publisher/imprint/line, in both traditional print and electronic publishing.
Entrants may designate a second category for the work in the event the first-choice category does not receive the required number of entries to be judged or the category is full when the author's entry is received.
Entrants must indicate the sensuality level of their book. The choices are Mild, Hot, or Blazing. Every effort will be made to match entries with judges who accept works with the indicated sensuality level.
There is no limit to the number of eligible books/manuscripts that may be entered for each author in each category, although each category has an upper limit of 150 entries. Authors may enter any book in multiple categories if so desired (e.g., a book may be entered in the Paranormal category, the Best First Book category, and the Erotic Romance category.) Except for Best First Book, a separate entry form, fee, and 5 books are required for each category entered.
Published works currently available exclusively in electronic formats shall be printed on standard 8.5” X 11” white paper, bound, and mailed with the entry form and fees to the appropriate coordinator by the contest deadline. Five printed copies of each work are required to be eligible. Electronic copies will not be accepted. The bound work must include the publisher's copyright page. If the work is available in Print on Demand (POD) format, that is what must be submitted.
NO books/works will be returned except when the category’s minimum entry threshold is not met or the category’s threshold is exceeded (or categories', if the entrant indicated a second choice on the registration form).
If any category has fewer than 20 entries (defined as all copies of required work to be judged, not just the entry form) received by the deadline, the category shall not be judged. At such a time, an entrant will be placed in an alternate category if one was indicated on the registration form. If an alternate category was not indicated, the entry forms and fees shall be returned to the entrant. No entry shall be allowed to change categories except in the case of category cancellation. Each category has a limit of 150 entries.
All contest entries and appropriate fees must be received by Romance Conventions, Inc., no later than 11:59 p.m. Mountain Time, January 31, 2010. Any items received after January 31st will result in disqualification. No books will be returned and no refunds will be given to entrants who fail to meet the deadline.
If a check is returned or a credit card charge denied, the replacement money, plus a $25 processing fee, must be in the Romance Conventions, Inc., office by February 7, 2010, or the entrant shall be disqualified and books forfeited.
Readers’ Crown™ Contest coordinators will send a confirmation letter or e-mail to all entrants and/or nominators.
Finalists shall be notified by phone, and then by an Official Letter of Notification sent by the RomCon™ Office via 2-day registered mail.
The complete list of finalists will be made public and posted on our website no later than April 30, 2010, at 11:59 p.m. Mountain Time.
Neither employees of Romance Conventions, Inc., nor members of their immediate families shall be eligible to enter the Readers’ Crown™ contest.
All deadlines are final.
Readers’ Crown™ non-finalists who so mark their entry forms shall be sent their preliminary-round score totals after the end of the preliminary round. Finalists will receive their scores after the conclusion of the contest.
Individual scores will not be reported or returned to anyone other than the author(s) of each entry.
If any finalist is disqualified for any reason, no other entrant shall move up to fill a vacant spot.
Other Contest Rules Books entered in the 2010 Readers’ Crown™ contest must:
Have an original copyright date (printed on the copyright page) or a first printing date or a first North American printing date of 2009. NOTE: The entry may have previously been published in electronic format under a different ISBN.
Not have been previously entered.
Be produced by a non-subsidy, non-vanity publisher in either electronic or print book format.
Meet the requirements for the category in which it was entered.
Be an original work of romantic fiction.
Decisions of the judges are final.
Finalists may be asked to submit a high-resolution image file.
Five copies of the book are required. Bound copies of the work being entered will only be accepted for works published only in electronic format.
In the event that duplicate entries for the same book are received, the first nomination shall be the official entry and the subsequent entries and fees will be returned. However, if the author is one of the nominators, the author’s choice of category (and alternate if applicable) will prevail.
A collection of novels/novellas is not one entry; rather, each work must be entered separately and five copies of the book must be submitted for each entry. The appropriate fee shall be paid for each entry.
All Readers’ Crown™ entrants are required to acknowledge and accept these rules via the electronic entry form.
Romance Conventions, Inc., may request 2 additional books from the author if needed for discrepancy judging.
Welcome to RomCon’s™ Contemporary World Blog! You’ll find information, tidbits and announcements related to the contemporary romance subgenre. Browse the listing of tags for entries that pique your interest (below left), and feel free to comment on blog posts!
When joining RomConversations, please be courteous and respectful. All comments are moderated and will not be posted if deemed rude, inappropriate or unprofessional. Don’t say anything on RomConversations that you wouldn’t say to someone directly!
When I was writing my first soldier story late 2006, I had a conversation with my then-editor about pushing the envelope and how far was too far. I have always carried her reply very close to my heart: Don’t be afraid to take risks. It’s always better to pull you back than to have you deliver something predictable.
I’m afraid I took that advice and ran with it –and yes, a lot of my books deal with “issues”. That book, The Soldier’s Homecoming, dealt with Post Traumatic Stress Disorder. I’ve also dealt with physical abuse, infertility, rape, death, and in my latest, physical disability.
And each and every time I ask myself, how much is too much? Is this going to become too real for the reader and suck away the idea of escaping for a few hours? Because I truly believe that is what romance novels are for. My goal is to give the reader a story that leaves them feeling satisfied, refreshed, and hopeful at the end. Considering the fact that I have my characters deal with some pretty heavy emotions, it becomes a matter of balance.
I think the trick is to really make my character someone you can root for. I want to put the reader in my hero or heroine’s shoes. If my character is wallowing in their misfortune, my reader is not going to be uplifted. But if my character is a fighter, is trying to move forward despite the challenges, then hopefully the reader will be on his or her side. Self-pity is not attractive. Courage in the face of adversity is.
I had to keep all of that in mind while writing the character of Noah Laramie, the hero of HER LONE COWBOY that’s out this month with Harlequin Romance. Noah is the first character I’ve written that has a physical disability. It becomes very clear right at the beginning that he is an amputee, learning to deal with life and every day tasks with only one arm. He doesn’t even have a prosthetic yet. Everything in his life has changed. He is an officer in the military who can no longer be with his men. He is back “home”, a place he has barely visited in several years, reduced to working for his younger brother who is a bit of a stranger. He is dealing with pain and therapy and the fact that he can’t even shave himself properly. That is the man that Lily Germaine meets in the first few pages. Angry, frustrated, determined.
It would have been very easy to paint Noah with a different brush. After such a trauma it would be quite normal for him to be depressed, reclusive, resentful. Remember what I said about wallowing? I knew that to pull this off, Noah had to check the self pity at the door. His only focus is to get better. To heal and stay strong and reclaim his position in his old life. He gets frustrated when he has setbacks. He is annoyed when he has to ask for help. Lily realizes he is not the happy, carefree youth that her best friend Jen had described. But Lily is compassionate, practical, and generous. Noah doesn’t stand a chance. The man underneath the injury is caring, sexy, and vulnerable, and it takes Lily to bring all of that out into the light.
I adored writing this book, and fell in love with Noah. As a writer, taking the risk in writing a disabled hero was so worth it. Lily looked beyond the disability to the man inside, because I did too. And I liked what I saw. Not perfect, by any stretch, but every inch a hero.
HER LONE COWBOY, book 2 of the Cowboys and Confetti duet, is out in North America this month and in the UK in April in a 2 in 1 with Diana Palmer’s Tough To Tame. Take a second to comment and let me know - how much is too much for you? When does a book get too “heavy”? I’ll draw from the comments for a signed copy of HER LONE COWBOY. Thanks for having me here today!
Posted by Bev Pettersen on 2010-03-10 at 04:47:54 am:
Hi Donna, I'm really looking foward to reading this book. The romance I generally read is centered around a physcially perfect hero; it's his emotions that are imperfect. Thanks for something different!
Posted by Lisa G. on 2010-03-09 at 21:51:44 pm:
Hello Donna! I am a big fan of real life issue in romances. We all like to escape in a fairytale world but it fun to see real issues dealing everyday life. Put a cowboy in them and I'm a happy camper!
Posted by librarypat on 2010-03-09 at 21:32:29 pm:
I think "heavy" issues should be addressed even in romances. People face these issues in life everyday. Seeing how they can be dealt with and dealt with well can help people face their own problems. People who have these issues deserve their HEA's too.
What is too much? If the physical or emotional trauma is so severe that a reasonable effort to overcome them really won't result in a HEA, then it is a story, but not one that is suitable for a romance.
Good luck with the release of HER LONE COWBOY. It sounds like a really good book.
Posted by GSM on 2010-03-09 at 14:59:19 pm:
I respect authors who deal with uncomfortably real issues. Personal strengh resonates in well-written characters. What better way to show such strength than to have them painfully confront life's tough issues. Your Noah sounds like a good man. Thanks for visiting today.
Posted by Quilt Lady on 2010-03-09 at 12:16:16 pm:
I love books that seem like real life to me. I also love me some cowboys. I have been hooked on the western reads lately with the cowboys. Please enter me!
Posted by Donna Alward on 2010-03-09 at 12:16:13 pm:
Katrina...I know exactly what you mean...and that was exactly my point. When does it become too real? You know, I'd have a real problem writing a child in jeopardy story. It hits wayyyy too close to home for me (and that's just from being a mom, not because we've had anything horrible happen). It is a risk you take anytime you write a hot button, I suppose! But wow that sounds like an incredible read!
Summer - Kept For Her Baby was the same for me as I went through PPD after my second pregnancy. And guess what? PPD plays a part in my next Romance, Proud Rancher, Precious Bundle! LOL
Posted by Summer on 2010-03-09 at 11:45:42 am:
One of the most memorable reads I've had in recent months was Kate Walker's Kept For Her Baby, it offered the escapist romance of wealth and a private island, yet dealt with very real, very emotional subject matter. For me, grounding the fantasy with reality makes for that much richer reading.
Posted by Katrina on 2010-03-09 at 11:19:25 am:
I agree that books are so much more interesting when they can deal with real issues in a real way. I'm not even sure 'issues' is the right word - it's just about making characters who are as realistic as possible, and everyone struggles with something, don't we? I think the best example of this is Laura Kinsale's Flowers from the Storm, where the hero has a stroke in the opening chapters. I was reluctant to read it because it sounded depressingly real, but it was one of the most rewarding romance novels I've read.
Posted by denise on 2010-03-09 at 11:16:46 am:
I like to read books that I can relate to or I know someone else is going through the same thing. It helps me be more compassionate to others.
I look forward to your new release.
Posted by Donna Alward on 2010-03-09 at 11:04:02 am:
Heather - thank you for sharing your story, and did you let the author know how you felt about it? When I got reader mail about The Soldier's Homecoming from people who either had suffered PTSD or was in a situation where it was an issue...it meant so much to me.
Part of the reason why I don't shy away from it or skate the surface of issues is because I believe they need to be done right, in a truthful and yet optimistic way. I think to do otherwise is unfair to the real people out there who have the issue affect their lives daily. I'm really happy that a book spoke to you in such a way...I think every writer hopes that is the case.
And the best part of all is knowing there is a big fat HEA at the end. :-)
Posted by Donna Alward on 2010-03-09 at 11:02:04 am:
Tiffany - thanks for having me! I am *so* with you on the hope. I like to think that there is light after the darkness and I really think love and acceptance can heal so much!
Lisa-I agree with you too. I think that's why I like the romance line. It is a great blend of the escape with stories grounded in reality - I think the tag line used to be "It can happen to you!" I find I can really put myself in the shoes of the characters which I love.
Soraya, lol! I don't know, a handsome, super rich powerful guy sounds awfully nice...so perhaps the trick is making sure the conflict can get you right in the heart?
Posted by Heather Sands on 2010-03-09 at 10:22:18 am:
I am going to get personal here for a bit. A couple of years ago there was a Harlequin Presents series about three brothers that were princes, the oldest brother is already married when books one and two happen and book three is his story, his wife decides to leave him. She lets him believe what ever he wants, but it is all due to her endometriosis. This book was very real to me, as I read what the heroine was going through, I could sympathize with her because I went through the same thing. The author didn't pull any punches as she talked about this very real disease that affects women, and how it can impact every aspect of our lives.
I like to read about characters that may face the same challenges in their stories that I have in my own life. It makes them real and believable to me. So you keep writing those stories.
Posted by Soraya Yarbrough on 2010-03-09 at 10:09:40 am:
I adore heroes that are real, which means they have issues. It's no fun to read about the ruggedly handsome, super rich and powerful guy who dates a former supermodel. Those people aren't real to me.
Posted by Lisa Boggs on 2010-03-09 at 10:08:53 am:
ooohh i thin it's all in how it's written. I have not read any of your books before but from the description of your new book i'm interested in finding out what the story is all about and what will happen. I've read several books with people who have disabilities and never been turned off from that. I like all kinds of genre. People are after an escape but their also sometimes after something with heart. I like to mix it all up myself. I'll have to look for this book and check it out.
Posted by Tiffany James on 2010-03-09 at 09:11:11 am:
Hi, Donna ~ Welcome to RomCon! I think it's important that romances deal with real issues in a fairly realistic way. I think many people come to romance for escapism, but I also think many of us come to them for hope. If I read about someone dealing with what I'm dealing with that can give me hope that it won't go on forever or that even if it ends badly, I can go on. Hope you enjoy your day hanging out with us! ~ Tiffany